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The environment was major contributing factor to the evolution of Australian art in the 20th century Essay Example For Students

The earth was major contributing variable to the advancement of Australian workmanship in the twentieth century Essay The earth was major contributing variable to the development of Australian workmanship in the twentieth century. The essential scene; confinement and separation, the burden of the legendary and the visionary on the scene, national personality the all inclusive and the territorial and the death of Arcadia and sentimental optimism entwine grandly to introduce the effect of environmental factors on the work of art of such a then fragile country. By and large it was the environmental factors/atmosphere/climate/feeling and individuals of our novel country that without a doubt shape what we know as Australian craftsmanship sure there are immediate impacts from different societies, yet while realizing this we need to comprehend that an ideal blend of outside societies is the primary fixing in the formula of our own way of life. Our playing with the possibility of country Australia as a sun-doused peaceful utopia a Heidelberg school vision was very strayed from with Russel Drysdales convincing early work of art Sunday evening presented underneath. We will compose a custom article on the earth was major contributing element to the advancement of Australian craftsmanship in the twentieth century explicitly for you for just $16.38 $13.9/page Request now Finished in 1941, this work is of conclusive essentialness in the development of Drysdales sole vision. With an inland topic symbolism had come to speak to for Australians the major uniqueness of our property and individuals. In its place, in a masterpiece that uncovered a promising individual way, and flagged the up and coming significance of the body to his translation of Australia, Drysdale affianced in an inspiration of freakish human perseverance in the midst of the remoteness and dejection of the inside. Sunday evening, with different artworks of 1941 on comparative topics, demonstrated Drysdales future capacity in deciding an alternate national character dependent on the uniqueness of Australian inland life. This was no ifs, ands or buts one of the works that helped change the manner in which Australians saw themselves and their nation. The desolate foundation to show sadness and seclusion supplements the withered, extended figures. To numerous specialists the quest for national character has been an animating power, for other people, it has spoken to a dull parochialism, selling out the city, consistent unpredictability of Australia as a Westernized development. The obvious remoteness of Australia as a Western culture in the southern half of the globe, really peripheral and disconnected from the primary flows of Western scholarly idea in United States or Europe, surely has a place more with the domain of legend than truth. Indeed, even in the nineteenth century, when the beginning of the mail on showing up ships was eagerly expected by Australiaquot;s white populace, the surge of books, workmanship propagations, diaries, etc kept the nearby scholarly people amazingly very much educated regarding current improvements abroad. The scene convention overwhelmed the craft of the period as the scene itself came to speak to the goals of opportunity and populism that Australians had battled for in the war. A relatively revolutionary innovation with expanded authenticity surfaced in the late 1930s and 1940s in planned defiance of the extremism of Australian culture. Drawing on the joint assets of Surrealism and Expressionism, Albert Tucker, Arthur Boyd, John Perceval, and Sidney Nolan pointed out the state-of-the-art metropolitan scene and the moral hardship of Melbournequot;s wartime society. Despite the developing internationalism of post-war Australian culture, the Australian scene has been steady to engross specialists and to energize the in style musings. During the 1940s and 1950s Russell Drysdale and Sidney Nolan tried farther than the set up provincial locale to delineate the savage and somber circumstance in the Australian outback; but, regardless of its unfriendly attributes, the scene is offered as the internal central core of the nation. Two huge scene craftsmen of the 1960s, John Olsen and Fred Williams, revitalized the scene custom by imbuing it with a portion of the official qualities of overall deliberation. Issues of physical separation and detachment become progressively pertinent when one considers Australiaquot;s ecological decent variety, and this is the reason these craftsmen wandered farther than others. The inconvenience of the legendary and the visionary on the scene is embodied by crafted by Arthur Boyd. Boydquot;s works of art, drawings, lithographs and earthenware production changed the remorseless truth of urban and hedge Australia into a legendary spot, a nation involved by a differing social affair of characters and occasions drawn from old Greece, the Old Testament, and Australian history. While Boyd was dependent on the Australian view for visual incitement, his work rose over its ecological beginnings to watch far reaching shared and individual themes㠢â‚ ¬Ã¢â‚¬ love and love; envy, duplicity and vanity; bigotry, destitution and war. Reflected lady of the hour 1 1958, seen underneath came in Boydquot;s Love, Marriage and Death of a Half-position arrangement. The environmental factors, instead of being the desolate stage set of before works of art in the arrangement is a jettison where Boydquot;s dim husband immovably holds his soul lady is made basic to their marriage: the lady of the hour converges with the conduit; the groomquot;s foot is bended around a stem in the tied forest. This an original Boydian scene. Boydquot;s half-rank lucky man, has lost all expectation, his blue hands and feet set him apart, half god, half abandoned. Boydquot;s driving subject here is sadness. Nature was made an immense contribution to what is referred to today as Australian craftsmanship. Without it the huge dominant part of impacts and engraving on culture would not exist. Leaving Australia as socially desolate as the outback. The focuses in twentieth century Australian workmanship remembered Melbourne for the 1940s; the avante garde and erudite people, the Australian Academy of Art, the Contemporary Art Society CAS and Herald Exhibition; the Angry Penguins; the ascent of metaphorical expressionism and a national school. The development of Sydney during the 1950s and the ascent of present day deliberation were significant occasions; Australia started looking outwards to the world. These were all head contributing components and were all instrumental in the movement of workmanship in Australia. Cutting edge was initially a French military term used to portray a little gathering who investigates a new area in front of the principle armed force. In the visual expressions it is applied to the inventive craftsmen who, in some random period, are working in a way that is new and unique in relation to their counterparts. Brett Whiteley was at the cutting edge of the vanguard development. His notable work Alchemy presented underneath as would be in a show summed up Whiteleyquot;s perspective at the time in the entirety of its heap gathering of impacts in his own history as a craftsman; it was covered up one year. It is a self-representation for a massive scope this had been seen before in his work The American Dream, without the exceptional political motivation in its impression. Seeing as it is spread more than 18 boards it might be perused option to left as a dream of earth, sea, sky through transmutations of substance, genitalia, sex and scene, finishing with a white sun and serpentine limbs put before a gold foundation. The last two boards were from a demolished picture Whiteley had created in 1972 of Yukio Mishima, a Japanese essayist who submitted seppuku self destruction in 1970, assuming that the space separating craftsmanship and activity could be shut proficiently through stylized passing. Abstract folklore expresses that Mishimaquot;s last vision as the blade cut into his substance, was of a detonating sun which lit the sky for a moment of purported otherworldly light. This mind flight turned into the official prompting of Alchemy. The work can be perused whichever way from left or right, or even from the middle, where the word quot;ITquot; holds the turn concerning contending thoughts. At that point Attorney General and later Prime Minister Robert Menzies set up the Australian Academy of Art in 1937. It was set up as an Australian corresponding to the British Royal Academy. They preservationists sought to give a discussion to Australian workmanship, and advance craftsmanship gratefulness and craftsmanship training. Protection from present day craftsmanship got antagonistic to the degree where the executive of the National Gallery of Victoria didn't permit contemporary workmanship in his display. Current painters expected that a foundation would reinforce the persecution of contemporary workmanship, fundamentally engage traditionalists, and they realized something must be finished. The Contemporary Art Society CAS set up to excite open intrigue and familiarity with present-day craftsmanship. This happened on 13 July 1938; developing from a plan conceived by George Bell of powerful resistance to Menzies Academy. Ringer was the President and it was notable that the general public was pleasing to innovator specialists. The Societys theory depended on the perfect that craftsmanship consistently advances, and thusly if there was an absence of another idea or feeling in some random display, the Society would not be keeping to its name. Contemporary Art Societys jumped up over the east shoreline of Australia and end up being an important discussion for craftsmen to appear and seel work. The Society did as was expected and following a unimportant quite a long while the Australian Academy of Art disbanded. The Herald show was named so because of sponsorship from the Melbourne Herald, it was a display of present day craftsmanship starting in 1939; it graced Australia with a heavenly assortment of current European workmanship. The Herald presentation demonstrated works from numerous renowned specialists including Matisse, Van Gogh and Dali. It affected contemporary Australian Painting, organizing mitigated forms of Cubism, Constructivism and Abstraction. The Angry Penguins were a free association of Melbourne specialists, compose

The Safety of St. Johns Wort for Bipolar Disorder

The Safety of St. John's Wort for Bipolar Disorder Bipolar Disorder Treatment Medications Print Why You Shouldnt Use St. Johns Wort for Bipolar By Marcia Purse Marcia Purse is a mental health writer and bipolar disorder advocate who brings strong research skills and personal experiences to her writing. Learn about our editorial policy Marcia Purse Updated on January 04, 2020 Bipolar Disorder Overview Symptoms & Diagnosis Causes Treatment Living With In Children Your Rights St. Johns Wort Controversy. Mario Tama / GettyImages St. Johns wort (SJW) has a beautiful flower, but could it be dangerous for bipolar disorder sufferers? The herbal supplement is most commonly made from the species Hypericum perforatum, a perennial weedy type and this is whats used for the treatment of mild depression. Although clinical trials are ongoing for this increasingly popular herbal supplement, it seems clear that for mild depression, St. Johns wort may be an effective treatment. However, there are factors that indicate that this herb should not be used by persons who have bipolar disorder. For example, it has been designated as a noxious weed because grazing animals who eat this plant can become hypersensitive to sunlight which may also affect humans. What Is St. Johns Wort Used For and Can It Benefit You? Why St. Johns Wort Is Not Advised for Bipolar Disorder Patients The following reasons are cited as to why St. Johns wort is not recommended for people with bipolar disorder. Serotonin Syndrome Camilla Cracchiolo, R.N., who is studying St. Johns wort in-depth, has found that patients using the herb all reported a gradual onset of dizziness, cognitive difficulty, faintness when standing or walking, unsteadiness when walking, muscle spasms and a racing heartbeat. Because St. Johns wort may increase the amount of serotonin available, combining the herb with an SSRI such as Prozac or Paxil is not recommended. How Serotonin Syndrome Is Diagnosed and Treated Mania Trigger It is well known that any antidepressant, when taken without a mood stabilizer, can set off a manic or hypomanic episode. Some people never exhibit mania at all until treated for depression with a triggering drug. Since St. Johns wort acts as an anti-depressant, there is good reason to exercise caution. Researchers at Harvard Medical School and the University of Michigan have issued warnings regarding St. Johns wort as a possible triggering substance. Published case reports have documented several cases of sudden onset of mania in bipolar patients who were using the herbal supplement. How to Recognize a Manic or Hypomanic Episode Drug Interactions In February of 2000, the US Food and Drug Administration released a Public Health Advisory warning that there was a risk of dangerous interactions between St. Johns wort and certain prescription medications. Researchers found that the use of St. Johns wort significantly reduces the effectiveness of some AIDS medications (indinavir and other antiretroviral agents). Because of the way St. Johns wort operates in the body, the FDA also warned that it may also be unsafe to take it along with some common medications for heart disease, transplant rejection, and cancer, among others. Drugs mentioned by name that is used in the treatment of mood disorders were: The tricyclic antidepressants ?Tofranil (imipramine), Asendin (amoxapine), and Elavil (amitriptyline);The anti-seizure medication Tegretol (carbamazepine), used as a mood stabilizer; andThe cancer medication Tamoxifen, which is being studied as a mood stabilizer. It would be safer to assume that other drugs related to these would also be in the same category, including other tricyclics such as Vivactil (protriptyline) and Pamelor (nortriptyline) and the mood stabilizer ?Trileptal (oxcarbazepine). St. Johns Wort Drug Interactions With Antidepressants The Bottom Line For a number of reasons, then, the bottom line with St. Johns wort for persons with manic-depressive illness should be Better safe than sorry. If you or someone you love who is bipolar insists on using this supplement, use extreme caution. Notify your physician or psychiatrist, and be on the lookout for any complications and changes in mood or behavior that could be dangerous.

Developing And Marketing Computer Hardware Systems

Introduction Reading through the requirement of this paper there were several options to choose from. There are several companies that offer integration to their customers such as SAP which is the leader in ERP solutions, Oracle which came to the industry after acquiring PeopleSoft back in 2005, Microsoft, and IBM. Reading the materials throughout this semester was interesting as it gave me an inside view of system integration and it made me think of the architecture of how companies integrate their system or the high level thought of how things are done when big companies acquire other companies. Researching all these four big companies, I found that Oracle had a lot of products that integrate systems and it seems they have a solution for a lot of major industry with pre-defined modules that help jump start the integration process. Everyone knows oracle as it’s a global computer technology company. The company primary specializes in developing and marketing computer hardware systems. The company also builds and develops databases and database products. , middle tier software, resource planning (ERP), customer relationship management and supply chain management software. In this paper I am specifically looking at the Oracle E-Business Suite, It is the most complete suite of integrated, global business applications that enables the company to make better decisions, reduce cost, and increase performance. The Oracle E-Business helps customers manage the complexity ofShow MoreRelatedDeveloping And Marketing Computer Hardware Systems3299 Words   |  14 Pagesinside view of system integration and it made me think of the architecture of how companies integrate their system or the high level thought of how things are done when big companies acquire other companies. Researching all these four big companies, I found that Oracle had a lot of products that integrate systems and it seems they have a solution for a lot of major industry with pre-defined modules that help jump start the integration process. Everyone knows oracle as it’s a global computer technologyRead MoreImpact Of E Commerce On Global Economy1352 Words   |  6 Pagesexciting area es pecially E-Commerce. The advancement in World Wide Web, computers and mobile wireless communication technologies are transforming the way business is conducted. The success stories of Amazon, eBay are few examples. New technologies have provided the required platform for innovation, growth, shopping convenience, and price advantage due to the boundary less competition. Business leaders across the industry are developing new strategies to adopt new technologies like, internet, wirelessRead MoreCompany Overview: Apple Inc995 Words   |  4 PagesCycle 8 Conclusion 8 Company Background Steve Jobs and Steve Wozniak founded Apple Computers on April 1, 1976 in an obscure location in California. The two young entrepreneurs built the first Apple out of their garage. The first Apple computers did not include a monitor, keyboard, or casing. Despite the companys humble origins, in 1998 Apple reached a benchmark by introducing the Mac OS X operating system, which was the companys first server software. It is interesting to note that the companyRead MoreApple Inc. Strategy Formulation1720 Words   |  7 PagesIntroduction In this project I am going to describe the Strategic and Marketing Plan of Apple Inc, Which is the biggest consumer electronics provider in the world. It provides wide range of consumer electronics in the market like MAC computers, IPOD, I Phone, LAPTOP, IPAD. It has about 49,400 employs and over 240 Retails Store all around the world wide out of it 218 are in US and 24 in UK rest in other countries. I personally think that before studying the strategy of any organization we need toRead MoreApple And Microsoft Vs. Apple974 Words   |  4 PagesApple and Microsoft Apple and Microsoft are the two largest firms in the industry of consumer electronics and computer manufacture. The two companies tend to have numerous similarities and differences. Microsoft and Apple simultaneously initiated their corporate structure. Currently, they are the best-earning top innovators and major rivals in the market, and their products are globally most utilized. 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The following points will explain why information systems are important to businesses: †¢ OperationalRead MoreOpen Source Software Essay1686 Words   |  7 PagesSoftware Ever since computer programmers began collaborating online to build software applications, the open source movement has been developing into a serious rival to the multinational software companies. Since the term was coined in the late 90s, open source has rapidly matured from an egalitarian approach to software design intoRead MoreApple Inc. Case Analysis - 11479 Words   |  6 Pagesthe first highly successful mass-produced personal computer, the Apple I. Apple operates in various lines of the computer and music industry today and its operations include not only the designing but also the manufacturing of its computers and software. Apple continues to pursue the personal computer market but not as intently as in the yea rs before. It has opted to change directions a little by venturing into the music world through the marketing of iPod, a digital music player, and iTunes. The

The Effects of Advancements in Lighting on The Theatre...

Without light, the theatre cannot exist, that much is certain. As actors, as audience members, as technical visionaries, we are only as powerful as the light we are given. The extent to which we depend upon light in performance has changed dramatically throughout history, however, as light technology developed and expanded. In the history of performance, the artistic community is constantly victim to the limits of lighting technology, and exponentially altered by breakthroughs. From the utilization of candles and natural light to isolated light and electricity, the histories of illumination and theatre are virtually inseparable, and continue to push the boundaries of live performance. Like any journey, it is necessary to begin with a†¦show more content†¦Having only heightened text and elaborate spectacles to guide them, much of the subtlety, specificity, and emotion must have been lost in translation. Additionally, indoor performances, primarily requested by courts and nob ility, specifically used candles and torches as sources of illumination. Candles were placed at the front of the stage, between the wings leading to the stage, and above both the stage in order to frame the players. Chandeliers were also hung above those in attendance, to create a sense of audience. This marks both the first appearances of footlights in the theatre and, though basic, the beginning of a formulaic structure for lighting a performance space. Issues prevailed, however – there were still no successful methods for specific lighting, unless an actor held the light themselves to illuminate their face, nor were colored lights or gobo devices available. Though lighting was making its way into the theatrical world, it was purely technical, not called upon to be inventive, create illusions or accomplish tasks at this point in time. 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Therefore, to perform the balcony scene in Shakespeare’s â€Å"Romeo Juliet† to its fullest effect in a Kabuki style, anyone who is planning on staging it must be aware of the unique stage features required for a kabuki production, specifically the use of a hanamichi. Consequently, the research into the elements of kabuki stage and their effect should be investigated in order to effectively apply them to anRead MoreSimilarities And Differences Between Jane Eyre And Matilda1880 Words   |  8 PagesJane Eyre and Matilda are two classic novels that have been turned into theatre productions with very similar plots in ways. Jane Eyre and Matilda both feature an underprivileged, young lead female that escapes the harsh realities with the wonderful world of books and knowledge. Both tell the stories of young, independent women that never see themselves as victims, but overcome their unfortunate circumstances without sacrificing their self-worth and dignity. However, the ways in which two playsRead MoreAn Overview On The Creative Industry2725 Words   |  11 Pagesimplemented. The purpose is to convey the progress and growth that the industry is making. Additionally I aim to focus on the film industry as it is such massive part of the creative industries and is currently verge of huge change and technological advancements. What are creative industries? The creative industries in definition are the industries which are based on the innovative creativity, skill and talent of individuals. These individuals produce material that creates wealth and employment and exportRead MorePepsi Analysis : Pepsi Cola1328 Words   |  6 Pagesart and technology in a physical sense, as well as introducing cybernetics to the general public, through interactive design. The Pavilion was a dome-shaped three dimensional computer mediated environment that provided viewers with an immersive experience, a sense of being inside a computer. 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Managing organizational culture Free Essays

Introduction Culture doesn’t have any specific meanings or definition it has many different definition. As (Borosky, 1994, Ortner, 1984) describe that even in Anthropology culture has not largely approved or rigid definition. Culture can be defined as a set of values and thoughts which are being followed by the group of people which resulted to the activities and behaviours of the people living in specific society. We will write a custom essay sample on Managing organizational culture or any similar topic only for you Order Now Although it is has been described as framework to understand primal societies.(Katter and Heskett, 1992).As societies have set of norm values and beliefs, every Organizations and every business has culture in shape of values, rules and framework to follow which make the Organization unique amongst the other Organizations. In many organizations culture seems to be very crucial and important and it receive a considerable concentration. Culture is as complex and important as it is hard to use and recognize in thoughtful way. According to (Alvesson and Karreman, 2001; McDermott, 1999) Culture is very important for the organizations and companies how they work from day to day leadership, strategic change, which way the knowledge is being shared, maintained and created as well as the relations and dealings of the employees and managers with the customers. Culture is very significant for the success, growth and organizational effectiveness. Organization has the survival because of sharing its system of meanings at different levels (Smircich, 1985). As different countries have different culture, organizations don’t have the same culture as well they all have different values and rites and rituals heroes and myths than each other. It is very easy to recognize the culture of any organizations like McDonalds all the outlets of McDonald’s looks same they all wear same uniform no matter which area of the world they are operating in everything will be at same standard everywhere and anywhere in the world.In some companies is it is easy to recognize culture from their infrastructure, dress code language and customer services and in some organizations it is hard to see but it does not mean there is no culture in that organization in fact culture exist there but hard to judge or see because it is been fragmented sometimes. Any organizations which have strong organizational culture have success in the business. Organizations with strong culture have high degree of influence on the behaviour of the employees and the values of the organizations not only widely share but also held with high intensity. On the other hand company which have weak culture employee’s behaviour may not be consistent. Literature review Organizational Culture The literature on organizational culture is as significant to the management of the private sector as to the public science management. Organizations are assessing critically how they can achieve and describe their objectives and goals. After defining the goals of the organization it is vital to concentrate on the type of culture that is needed to achieve these targets and goals and making that sure that necessary change has been implemented. Edward B.Tylor used the term ‘’culture’’ in 1875 in English literature. After that the early development of the concept of the organizational Culture has been defined by many authors in different ways (Kilman et al, 1985) describe culture ‘‘something to do with the people and unique quality and style of organization’’ (Deal and Kennedy, 1982) has explained culture’’ the way we do things here’’ or the ‘’ expensive non rational qualities of an organization’’. Pettigrew (1979) started to talk about organizational culture’s concept. Anthropological perception of the culture was firstly used by him and he demonstrated how ritual, myths and symbolism can be interrelated in the analysis of organizations. Dandridge et al (1980) described that to reveal the deep structure of an organizational culture how significant and helpful is to study about these symbols and myths. When in early 1980s the concept of organizational culture was one of the favourite and emerging topics to talk and write about for that reason many scholars defined and give their prospective about organizational culture in different ways. (Van Maanen, 1979) defined organizational culture as behavioural rules in human interaction which can be observed. (Deal and Kennedy, 1982) argues about organizational culture the values which are prevailing in an organization. (Tcihy,1982) compare organizational culture with a glue he says organizational culture hold the organization in the same way the way glue hold the different objects together and don’t let them apart. According to Forehand and Von Gilmer (1964) culture is a collection of qualities of any organization that differentiate and portray it from other organizations. (Titiev, 1959) suggests that culture can be shared and learnt. Organizational culture can be illustrated through behaviours, notions, activities and analysis of associates of the organization (Hellett, 2003). Organizational culture also has been defined by the (Van Maanen, 1979) as a those rules of behaviour which can be visible in human relations. (Robbins, 1998) states organizational culture as a perception inside the organization which is consistent. Many of other authors describe that organizational culture is set of norms, mutual ethics and philosophy (Barney, 1986). As suggested by (Yanagi, 1994, p ii) organizational culture ‘’Philosophies and values shared by the members of organization and their behavioural patterns for translating them in to action’’ Schein (1989, 1992) has one of the best definitions of the organizational culture. Schein (1989) describe organizational culture ‘’ a pattern of basic assumptions- invented, discovered, or developed by a given group as it learns to cope with its problems of external adaptation and internal integration- that has worked enough to be considered valid and therefore, to be taught to new members as well as the correct way to perceive, think and feel in relations to those problems ‘’ (Schein, 1989, p. 9). Conclusion As (Graves, 1986, p, 11) states about organizational culture as a different ways to steady the performance of the employees. Organizational culture acts like a bonding agent which keep the organization together(Kramer , 19974 and Foy , 1974) How to cite Managing organizational culture, Essay examples

The Next Step free essay sample

The Next Step Lowla has been my best friend for thirteen years, beginning the day we were both sent into time out during nap time, day one of kindergarten. I guess neither of us was too fond of sleeping when there was an overwhelming amount of toys and games to play with right there in the classroom. Then there are the girls who made my love for sports that much stronger. We had been playing for so long, by the time varsity sports came around, we could read each others next move in perfect togetherness, an excellent aspect of the game that even the best teams were not always fortunate enough to have. We had always said we would be state champions our senior year. School had brought us together, and sports would never let us grow apart. And then, there are the handful of boys in my grade who were like brothers to me. We will write a custom essay sample on The Next Step or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page You would not believe how watching them through the awkward stages of puberty made them more like best friend material than boyfriend material. We were all together from the beginning, and we all expected to be that way throughout our years of schooling. We even planned on keeping in touch years after graduation. High school came and everything was even better as we continued to grow closer. High school also brought other exciting changes like being the only freshman class to be genuinely accepted among the upperclassmen. We were also well-liked by the teachers, whose expectations were lowered seeing the grades before us were not hard acts to follow. My grade seemed to be different from the others above and below us. We were both athletic and smart, with baby Einsteins and Michael Jordan Juniors. We had stuck it out together through our first school dances, middle school drama, and premature dating. And we were going to stick together through prom, more drama, and first loves, alon g with college applications and varsity sports. That is what I was expecting, what I had grown up looking forward to, and most importantly, what I was comfortable with. The last thing I ever wanted to do was leave the world I was most familiar and enter another world, one of which I knew very little about. I guess that is the curse of a small town school. The summer after my sophomore year my parents came up with an interesting idea, brilliant to them and absolutely bizarre to me. Holy Name High School caught my fathers eye. They have great academics and athletics over there, he would say, my mother nodding in agreement. Button ups and khakis do not bode well with me, I would say bitterly. What were they thinking? If it was that I was about to change schools two years before I graduate, there wasnt a chance. I could not bear to think about what I was leaving behind. I would have to start all over, meet new people, adapt to a whole new set of rules and worst of all, be trapped in the traditional attire of a Catholic school. One week before soccer tryouts, and two weeks before school started, I had lost the battle and was officially enrolled at Holy Name. The sun may have been shining on August 27, 2007, but it was a dark, gloomy day in my mind. My father and I sat together in silence as a few uncontrollable tears rolled down my cheek . But there was no time for tears. As we pulled up to the school on the hill, anxiety hit me. This first day would be unlike any other. In the past they were full of cute, new first day outfits, I missed you so much over the summer hugs, and groans because there were 179 days left until the next summer. I do not think I have ever talked as little as I did on my first day at Holy Name High. Not only was I sad and angry that day, but I was expecting to eat lunch, alone, in one of the girls locker room stalls, like I had seen in the movies. Luckily, this was not the case. Yes, things were different from Sutton High, but soon enough I figured out the transition to a new school was not the end of the world like I thought it would be. Surprisingly, there was homework and drama, jocks, and computer geeks, music lovers, dances and pep rallies, just as my last school had. In all reality, high school is simply high school, no matter where you are. As I am coming up to the middle of my senior year, looking back, I realize that if changing schools is one of the only hardships I have to overcome, then I have been a very lucky girl so far. I am no longer as close to the girls and boys at my old school as I once was, but others have taken their place. My bond with Lowla has grown even stronger, and we see each other more, now that we are apart. We do not get put in time outs anymore, but have managed to get ourselves in and out of trouble many times through our years together. New people and places come and go, but I have learned that overcoming adversities, no matter how big or small, teach valuable life lessons, preparing me for whatever life may throw at me next. Now as college approaches, I will be more prepared to make the transition from school to school. I am not, however, expecting this transition to be as easy as the last turned out to be, for college is so different from high school. This experience has turned out to be a positive one, and I am beyond excited for the next step. I have realized I am strong enough to overcome any issue I may face, for the years ahead. No matter where I end up going, I look forward to my future, with no doubt in my mind that anything is possible. It is no longer a question of can I, but a statement of I can.

Dirt Bikesdeveloping a Web Site Privacy Policy Essays

Dirt Bikesdeveloping a Web Site Privacy Policy Essays Dirt Bikesdeveloping a Web Site Privacy Policy Essay Dirt Bikesdeveloping a Web Site Privacy Policy Essay Essay Topic: Web Ashley B. Hilliard 258-10-0169 June 1, 2011 MG 615 Lesson#10, Assignment 2 Dirt Bikes, Part XII Developing a Web Site Privacy Policy Dirt Bikes should adopt an opt-in model of informed consent. Business is prohibited from collecting any personal information unless the consumer specifically takes action to approve information collection and use. With opt-in method, privacy argument can be minimized. Some of the data that can be discovered when a user visits the Dirt Bikes USA web site are as followed: web browser type, IP address, operating system and version, plug-ins installed in the browser, and the web site the user came from previously. These are just a few of the many items. Java and ActiveX can expose much more information, and Internet Explorer tends to expose more information than other browsers. A list of everything that a browser can expose would take more than 450 words in itself. Some of this information can provide value to the company for demographic reasons. It would allow the company to determine which was the most prevalent browser used on the web site, and optimize the site for that browser. It would also allow the company to see where people were coming from, possibly setting up advertising opportunities. By tracking a user’s path through the website, it would be possible to discover possible design issues, and allow the site to be optimized for a better user experience. Privacy issues involved in collecting this type of data are more of a customer confidence issue than a legal issue. The laws relating to this are not very clear unless you are a financial institution, a health care organization, deal mainly with children, or do extensive business with the EU. All these situations would have legal ramifications covering collection and storage of personal data. The advantages of cookie usage is mainly being able to present the customer with a better user experience, such as saving preferences or offering similar items for purchase Dirt Bikes USA should use cookies in this manner to enhance the user experience at the website. Privacy issues are not as big a concern with cookies for the reason that they are controlled on the users end. They can choose not to accept cookies, or they can dump them at the end of each browser session if they so choose. At this point in the lifecycle of Dirt Bikes USA’s web site, it is not recommended to join an organization such as TRUSTe. The reason for this is that the website at this point is a minor operation and the added costs and maintenance do not provide a decent return for the company. If Dirt Bikes USA decides to go have a web site that is more focused on e-commerce, it would be recommended to look at joining an organization like this more closely. As for trying to design the web site to conform to P3P standards, this is also not recommended. The entire issue of the P3P method of privacy enhancement is too controversial, and of limited benefit for the company to bother using it. When some of the main opponents of P3P are privacy centric organizations such as the Electronic Frontier Foundation (EFF) and the Electronic Privacy Information Center (EPIC), it does not bode well for this standard.

Names of Plants, Food, and Drinks Formed by Folk Etymology

Names of Plants, Food, and Drinks Formed by Folk Etymology Names of Plants, Food, and Drinks Formed by Folk Etymology Names of Plants, Food, and Drinks Formed by Folk Etymology By Mark Nichol This post lists words for plants, food, and drinks, as well as some terms associated with drinks, derived from words in other languages as a result of folk etymology, a process by which speakers adopt the foreign terms after revising them by using existing elements from their native language. artichoke: The name of the vegetable stems ultimately from the Arabic word al-khurshÃ… «f by way of the Spanish term alcarchofa and the Italian term arcicioffo (rendered articiocco in an Italian dialect), with the English form likely influenced by choke. avocado: The native word for this New World fruit is ahuacatl, which was rendered into Spanish as aguacate, which in turn came to be spelled and pronounced like a now-obsolete Spanish word meaning â€Å"lawyer.† (Note the resemblance to advocate.) That word was then adopted into English. burger: This word is a shortening of hamburger, which originally was styled as Hamburger to denote a resident of Hamburg, Germany, or various things originating there. The connection to Hamburg is obscure, but a patty of ground meat was called a hamburg steak during the late nineteenth century and later, when paired with a bun, a hamburger sandwich, then simply a hamburger. After cheeseburger was coined, hamburger was often shortened to burger. cocktail: This term for a mixed alcoholic drink or, by extension, various mixtures of substances (as in â€Å"fruit cocktail†) has an uncertain origin, but it may derive from the French term coquetier (meaning â€Å"egg cup†), from the use of such containers to serve mixed drinks in the late eighteenth century. demijohn: Several hundred years ago, a large, round bottle wrapped in wicker was in French termed a damejeanne (meaning â€Å"Lady Jane,† perhaps from its anthropomorphic appearance). Nearly a century later, an adaptation of the term was adopted into English. mandrake: Originally, in Greek, mandragoras, the term for a plant whose root has narcotic qualities passed into English through Latin. Because of the resemblance of the middle of the word to dragon, the term was adapted by folk etymology to end with drake, an English variation of dragon. mangrove: The Spanish word for this tropical coastal tree is mangue (likely adapted from a Caribbean language), and in Portuguese it is called mangle. Adopted into Middle English as mangrow, it evolved to its current form influenced by grove, meaning â€Å"a stand of trees.† mistletoe: Mistel, of uncertain origin, was the name of this shrub that grows on trees and is associated with Christmas (originally, with fertility, hence the custom of kissing under a sprig of the plant around the time of the holiday); in Old English, it was called misteltÄ n (â€Å"mistel twig†), and the fading emphasis on the final syllable resulted in the current spelling. mushroom: The name for various species of fungus is derived from the Latin term mussirionem by way of the Old French word meisseron and its Anglo-French variation, musherun. pumpkin: The name of the gourd was derived from the Greek word pepon, meaning â€Å"melon†; the second syllable of the Middle English descendant pompone (also spelled pumpion) was altered to the diminutive syllable -kin. saltcellar: A bowl or other container for salt was in Old French called a salier; this term, transformed by folk etymology into cellar, was redundantly attached to the English word salt to describe such an object. serviceberry: This edible berry acquired its name from the resemblance of the fruit to that of the genus Sorbus, some species of which are called service trees; service is derived from the Latin genus name and is unrelated to serve. (The alternative names juneberry and shadberry derive from the fact that the berries ripen in June, at about the same time as shad proliferate in creeks in New England.) sparrowgrass: Asparagus, borrowed directly from the Latin version of asparagos, the Greek word for an edible plant, was altered by folk etymology to sparrowgrass. Welsh rabbit: The name given to melted cheese on toast or a dish with melted cheese and bread was originally a jocular reference, at the expense of the Welsh people, to cheese as a poor persons substitute for rabbit meat, a delicacy; â€Å"Welsh rarebit† is a variant. witch hazel: The first word in the name of the tree derives from the Old English word wice, meaning â€Å"pliable†; the use of witch hazel twigs as divining rods may have prompted the alteration of the name. wormwood: The alteration of the Old English word wermod, denoting the wormwood plant, the aromatic herb harvested from it, and its derivative, absinthe, perhaps stemmed from the bitter aftertaste of the liquor. Vermouth comes from the German equivalent, Wermuth; that liquor was originally flavored with the herb. Want to improve your English in five minutes a day? Get a subscription and start receiving our writing tips and exercises daily! Keep learning! Browse the Vocabulary category, check our popular posts, or choose a related post below:Writing a Reference Letter (With Examples)Peace of Mind and A Piece of One's Mind30 Words Invented by Shakespeare

Advanced human resource Essay Example | Topics and Well Written Essays - 2250 words

Advanced human resource - Essay Example In 2014, Toyota has a net capital of 397.05 billion yen and it has 338,875 employees operating for accomplishing the organisational objectives (Toyota Motor Corporation, 2015). Toyota has been operating with highest market share in the world in the present day context. The company is also identified to be one of the largest companies in terms of revenue. Human Resource Department of the company has been identified to be facing Human Resource (HR) issues, which has been adversely affecting the operations of the business to a certain extent. For a company, human resource is ascertaining to be the main asset to develop and grow, as human resource facilitates in performing operations in accordance with organisational objective (Ekshan & Othman, 2009). The three HR issues faced by the company include training, negative behaviour, and employee engagement and commitment (Austenfeld, 2006). For making the employee perfect and efficient, effective training is needed to be provided, so that the employees are able to perform their tasks effectively and efficiently for accomplishing organisational objectives. Providing better training to the employees of the company helps in building up the right skills and knowledge of the subsequent products that are to be offered for meeting the preferences of the customers. Training is an important aspect for motivating as well as developing the competency of the employees, so that the employees are able to perform their operations on the basis of organisational needs. The objective of training involves mostly acquisition of knowledge needed for the staff to perform their function in a better way (Dyer, 2008). Negative behaviour in the organisation could affect the growth of the company. In addition, it affects the productivity and profitability of the organisation. In the organisation, the employees develop negative behaviour at the time

Current Economic Problems Facing Our Country Essay

Current Economic Problems Facing Our Country - Essay Example During the last four months of 2008, the financial system was on the verge of a meltdown, many banks in the United States went bankrupt, others had to seek government assistance in order to survive, and yet others had a severe impact on their profitability resulting in mergers and takeovers in the subsequent months. To make things worse, there were rumors that banks would default and people would not be able to recover their life savings. The federal bank had to step in immediately in an attempt to prevent a run on the banks, which could possibly result in every individual queuing on the bank counters to withdraw their savings from their respective accounts (Shiller, pp. 92-94). Otherwise, stable banks can go into default in a matter of hours in this scenario. The federal bank stepped in to guarantee deposits below certain limits preventing a complete meltdown. This was just the beginning of a major change in the lives of millions of Americans who had never anticipated such a situation. In the next few days, the bankruptcy of Lehman Brothers, one of the most renowned global investment banks became apparent. Hundreds of other firms connected to the Lehman Brothers network had to suffer major losses and write-down their loans during the months to follow. One after the other, many banks went into trouble in a matter of just two weeks; the global financial industry had completely changed its dynamics. Bank of America acquired Meryl Lynch and the government had to inject equity into almost all major banks (Soros, pp. 2-4). As a result, in a matter of weeks, the government now owned a majority stake in most financial institutions. Investors lost confidence in the financial system and the number of initial public offerings each month became almost insignificant. The investment banking industry virtually collapsed and went into a wave of downsizing. Many banks terminated their global market operations in order to generate equity injections through sales of their operations elsewhere. The idea of an organization becoming too big to fail became redundant.

Free Essays on Frankenstein: The Creature as a Foil to Frankenstein :: free essay writer

The Creature as a Foil to  Frankenstein   Frankenstein, speaking of himself as a young man in his father’s home, points out that he is unlike Elizabeth, who would rather follow â€Å"the aerial creations of the poets†. Instead he pursues knowledge of the â€Å"world† though investigation. As the novel progresses, it becomes clear that the meaning of the word â€Å"world† is for Frankenstein, very much biased or limited. He thirsts for knowledge of the tangible world and if he perceives an idea to be as yet unrealised in the material world, he then attempts to work on the idea in order to give it, as it were, a worldly existence. Hence, he creates the creature that he rejects because its worldly form did not reflect the glory and magnificence of his original idea. Thrown, unaided and ignorant, into the world, the creature begins his own journey into the discovery of the strange and hidden meanings encoded in human language and society. In this essay, I will discuss how the creature can be regar ded as a foil to Frankenstein through an examination of the schooling, formal and informal, that both of them go through. In some ways, the creature’s gain in knowledge can be seen to parallel Frankenstein’s, such as, when the creature begins to learn from books. Yet, in other ways, their experiences differ greatly, and one of the factors that contribute to these differences is a structured and systematic method of learning, based on philosophical tenets, that is available to Frankenstein but not to the creature.      Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   Frankenstein speaks fondly of his youth because his parents were â€Å"indulgent† and his companions were â€Å"amiable† (21). His parents’ policy in the education of their children is that there should neither be punishment nor â€Å"the voice of command† (26). Instead, they encourage their children to pursue their studies with vigor by â€Å"having the end placed in view†(21) and by having them discover the process by which to reach the end and not by making them learn tedious lessons. Frankenstein’s testimony to this is that he learnt better and retained his knowledge well. The approach to Frankenstein’s education in the home is strongly influenced by Rousseau, one of the most eloquent writers of the Age of Enlightenment. In his influential novel Emile, Rousseau expounded a new theory of education that emphasises the importance of expression rather than repression to produce a well-balanced and free-thinking child.

The Twilight Saga 3: Eclipse Chapter 24. SNAP DECISION

I LAY FACEDOWN ACROSS THE SLEEPING BAG, WAITING for justice to find me. Maybe an avalanche would bury me here. I wished it would. I never wanted to have to see my face in the mirror again. There was no sound to warn me. Out of nowhere, Edward's cold hand stroked against my knotted hair. I shuddered guiltily at his touch. â€Å"Are you all right?† he murmured, his voice anxious. â€Å"No. I want to die.† â€Å"That will never happen. I won't allow it.† I groaned and then whispered, â€Å"You might change your mind about that.† â€Å"Where's Jacob?† â€Å"He went to fight,† I mumbled into the floor. Jacob had left the little camp joyfully – with a cheerful â€Å"I'll be right back† – running full tilt for the clearing, already quivering as he prepared to shift to his other self. By now the whole pack knew everything. Seth Clearwater, pacing outside the tent, was an intimate witness to my disgrace. Edward was silent for a long moment. â€Å"Oh,† he finally said. The tone of his voice worried me that my avalanche wasn't coming fast enough. I peeked up at him and, sure enough, his eyes were unfocused as he listened to something I'd rather die than have him hear. I dropped my face back to the floor. It stunned me when Edward chuckled reluctantly. â€Å"And I thought I fought dirty,† he said with grudging admiration. â€Å"He makes me look like the patron saint of ethics.† His hand brushed against the part of my cheek that was exposed. â€Å"I'm not mad at you, love. Jacob's more cunning than I gave him credit for. I do wish you hadn't asked him, though.† â€Å"Edward,† I whispered to the rough nylon. â€Å"I . . . I . . . I'm -â€Å" â€Å"Shh,† he hushed me, his fingers soothing against my cheek. â€Å"That's not what I meant. It's just that he would have kissed you anyway – even if you hadn't fallen for it – and now I don't have an excuse to break his face. I would have really enjoyed that, too.† â€Å"Fallen for it?† I mumbled almost incomprehensibly. â€Å"Bella, did you really believe he was that noble? That he would go out in a flame of glory just to clear the way for me?† I raised my head slowly to meet his patient gaze. His expression was soft; his eyes were full of understanding rather than the revulsion I deserved to see. â€Å"Yes, I did believe that,† I muttered, and then looked away. But I didn't feel any anger at Jacob for tricking me. There wasn't enough room in my body to contain anything besides the hatred I felt toward myself. Edward laughed softly again. â€Å"You're such a bad liar, you'll believe anyone who has the least bit of skill.† â€Å"Why aren't you angry with me?† I whispered. â€Å"Why don't you hate me? Or haven't you heard the whole story yet?† â€Å"I think I got a fairly comprehensive look,† he said in a light, easy voice. â€Å"Jacob makes vivid mental pictures. I feel almost as bad for his pack as I do for myself. Poor Seth was getting nauseated. But Sam is making Jacob focus now.† I closed my eyes and shook my head in agony. The sharp nylon fibers of the tent floor scraped against my skin. â€Å"You're only human,† he whispered, stroking my hair again. â€Å"That's the most miserable defense I've ever heard.† â€Å"But you are human, Bella. And, as much as I might wish otherwise, so is he. . . . There are holes in your life that I can't fill. I understand that.† â€Å"But that's not true. That's what makes me so horrible. There are no holes.† â€Å"You love him,† he murmured gently. Every cell in my body ached to deny it. â€Å"I love you more,† I said. It was the best I could do. â€Å"Yes, I know that, too. But . . . when I left you, Bella, I left you bleeding. Jacob was the one to stitch you back up again. That was bound to leave its mark – on both of you. I'm not sure those kinds of stitches dissolve on their own. I can't blame either of you for something I made necessary. I may gain forgiveness, but that doesn't let me escape the consequences.† â€Å"I should have known you'd find some way to blame yourself. Please stop. I can't stand it.† â€Å"What would you like me to say?† â€Å"I want you to call me every bad name you can think of, in every language you know. I want you to tell me that you're disgusted with me and that you're going to leave so that I can beg and grovel on my knees for you to stay.† â€Å"I'm sorry.† He sighed. â€Å"I can't do that.† â€Å"At least stop trying to make me feel better. Let me suffer. I deserve it.† â€Å"No,† he murmured. I nodded slowly. â€Å"You're right. Keep on being too understanding. That's probably worse.† He was silent for a moment, and I sensed a charge in the atmosphere, a new urgency. â€Å"It's getting close,† I stated. â€Å"Yes, a few more minutes now. Just enough time to say one more thing. . . .† I waited. When he finally spoke again, he was whispering. â€Å"I can be noble, Bella. I'm not going to make you choose between us. Just be happy, and you can have whatever part of me you want, or none at all, if that's better. Don't let any debt you feel you owe me influence your decision.† I pushed off the floor, shoving myself up onto my knees. â€Å"Dammit, stop that!† I shouted at him. His eyes widened in surprise. â€Å"No – you don't understand. I'm not just trying to make you feel better, Bella, I really mean it.† â€Å"I know you do,† I groaned. â€Å"What happened to fighting back? Don't start with the noble self-sacrifice now! Fight!† â€Å"How?† he asked, and his eyes were ancient with their sadness. I scrambled into his lap, throwing my arms around him. â€Å"I don't care that it's cold here. I don't care that I stink like a dog right now. Make me forget how awful I am. Make me forget him. Make me forget my own name. Fight back!† I didn't wait for him to decide – or to have the chance to tell me he wasn't interested in a cruel, faithless monster like me. I pulled myself against him and crushed my mouth to his snow-cold lips. â€Å"Careful, love,† he murmured under my urgent kiss. â€Å"No,† I growled. He gently pushed my face a few inches back. â€Å"You don't have to prove anything to me.† â€Å"I'm not trying to prove something. You said I could have any part of you I wanted. I want this part. I want every part.† I wrapped my arms around his neck and strained to reach his lips. He bent his head to kiss me back, but his cool mouth was hesitant as my impatience grew more pronounced. My body was making my intentions clear, giving me away. Inevitably, his hands moved to restrain me. â€Å"Perhaps this isn't the best moment for that,† he suggested, too calm for my liking. â€Å"Why not?† I grumbled. There was no point in fighting if he was going to be rational; I dropped my arms. â€Å"Firstly, because it is cold.† He reached out to pull the sleeping bag off the floor; he wrapped it around me like a blanket. â€Å"Wrong,† I said. â€Å"First, because you are bizarrely moral for a vampire.† He chuckled. â€Å"All right, I'll give you that. The cold is second. And thirdly . . . well, you do actually stink, love.† He wrinkled his nose. I sighed. â€Å"Fourthly,† he murmured, dropping his face so that he was whispering in my ear. â€Å"We will try, Bella. I'll make good on my promise. But I'd much rather it wasn't in reaction to Jacob Black.† I cringed, and buried my face against his shoulder. â€Å"And fifthly . . .† â€Å"This is a very long list,† I muttered. He laughed. â€Å"Yes, but did you want to listen to the fight or not?† As he spoke, Seth howled stridently outside the tent. My body stiffened to the sound. I didn't realize my left hand was clenched into a fist, nails biting into my bandaged palm, until Edward took it and gently smoothed my fingers out. â€Å"It's going to be fine, Bella,† he promised. â€Å"We've got skill, training, and surprise on our side. It will be over very soon. If I didn't truly believe that, I would be down there now – and you'd be here, chained to a tree or something along those lines.† â€Å"Alice is so small,† I moaned. He chuckled. â€Å"That might be a problem . . . if it were possible for someone to catch her.† Seth started to whimper. â€Å"What's wrong?† I demanded. â€Å"He's just angry that he's stuck here with us. He knows the pack kept him out of the action to protect him. He's salivating to join them.† I scowled in Seth's general direction. â€Å"The newborns have reached the end of the trail – it worked like a charm, Jasper's a genius – and they've caught the scent of the ones in the meadow, so they're splitting into two groups now, as Alice said,† Edward murmured, his eyes focused on something far away. â€Å"Sam's taking us around to head off the ambush party.† He was so intent on what he was hearing that he used the pack plural. Suddenly he looked down at me. â€Å"Breathe, Bella.† I struggled to do what he asked. I could hear Seth's heavy panting just outside the tent wall, and I tried to keep my lungs on the same even pace, so that I wouldn't hyperventilate. â€Å"The first group is in the clearing. We can hear the fighting.† My teeth locked together. He laughed once. â€Å"We can hear Emmett – he's enjoying himself.† I made myself take another breath with Seth. â€Å"The second group is getting ready – they aren't paying attention, they haven't heard us yet.† Edward growled. â€Å"What?† I gasped. â€Å"They're talking about you.† His teeth clenched together. â€Å"They're supposed to make sure you don't escape. . . . Nice move, Leah! Mmm, she's quite fast,† he murmured in approval. â€Å"One of the newborns caught our scent, and Leah took him down before he could even turn. Sam's helping her finish him off. Paul and Jacob got another one, but the others are on the defensive now. They have no idea what to make of us. Both sides are feinting. . . . No, let Sam lead. Stay out of the way,† he muttered. â€Å"Separate them – don't let them protect each other's backs.† Seth whined. â€Å"That's better, drive them toward the clearing,† Edward approved. His body was shifting unconsciously as he watched, tensing for moves he would have made. His hands still held mine; I twisted my fingers through his. At least he wasn't down there. The sudden absence of sound was the only warning. The deep rush of Seth's breathing cut off, and – as I'd paced my breaths with his – I noticed. I stopped breathing, too – too frightened to even make mylungs work as I realized that Edward had frozen into a block of ice beside me. Oh, no. No. No. Who had been lost? Theirs or ours? Mine, all mine. What was my loss? So quickly that I wasn't exactly sure how it happened, I was on my feet and the tent was collapsing in ragged shreds around me. Had Edward ripped our way out? Why? I blinked, shocked, into the brilliant light. Seth was all I could see, right beside us, his face only six inches from Edward's. They stared at each other with absolute concentration for one infinite second. The sun shattered off Edward's skin and sent sparkles dancing across Seth's fur. And then Edward whispered urgently, â€Å"Go, Seth!† The huge wolf wheeled and disappeared into the forest shadows. Had two entire seconds passed? It felt like hours. I was terrified to the point of nausea by the knowledge that something horrible had gone awry in the clearing. I opened my mouth to demand that Edward take me there, and do it now. They needed him, and they needed me. If I had to bleed to save them, I would do it. I would die to do it, like the third wife. I had no silver dagger in my hand, but I would find a way – Before I could get the first syllable out, I felt as if I was being flung through the air. But Edward's hands never let go of me – I was only being moved, so quickly that the sensation was like falling sideways. I found myself with my back pressed against the sheer cliff face. Edward stood in front of me, holding a posture that I knew at once. Relief washed through my mind at the same time that my stomach dropped through the soles of my feet. I'd misunderstood. Relief – nothing had gone wrong in the clearing. Horror – the crisis was here. Edward held a defensive position – half-crouched, his arms extended slightly – that I recognized with sickening certainty. The rock at my back could have been the ancient brick walls of the Italian alley where he had stood between me and the black-cloaked Volturi warriors. Something was coming for us. â€Å"Who?† I whispered. The words came through his teeth in a snarl that was louder than I expected. Too loud. It meant that it was far too late to hide. We were trapped, and it didn't matter who heard his answer. â€Å"Victoria,† he said, spitting the word, making it a curse. â€Å"She's not alone. She crossed my scent, following the newborns in to watch – she never meant to fight with them. She made a spur-of-the-moment decision to find me, guessing that you would be wherever I was. She was right. You were right. It was always Victoria.† She was close enough that he could hear her thoughts. Relief again. If it had been the Volturi, we were both dead. But with Victoria, it didn't have to be both. Edward could survive this. He was a good fighter, as good as Jasper. If she didn't bring too many others, he could fight his way out, back to his family. Edward was faster than anyone. He could make it. I was so glad he'd sent Seth away. Of course, there was no one Seth could run to for help. Victoria had timed her decision perfectly. But at least Seth was safe; I couldn't see the huge sandy wolf in my head when I thought his name – just the gangly fifteen-year-old boy. Edward's body shifted – only infinitesimally, but it told me where to look. I stared at the black shadows of the forest. It was like having my nightmares walk forward to greet me. Two vampires edged slowly into the small opening of our camp, eyes intent, missing nothing. They glistened like diamonds in the sun. I could barely look at the blond boy – yes, he was just a boy, though he was muscular and tall, maybe my age when he was changed. His eyes – a more vivid red than I had ever seen before – could not hold mine. Though he was closest to Edward, the nearest danger, I could not watch him. Because, a few feet to the side and a few feet back, Victoria was staring at me. Her orange hair was brighter than I'd remembered, more like a flame. There was no wind here, but the fire around her face seemed to shimmer slightly, as if it were alive. Her eyes were black with thirst. She did not smile, as she always had in my nightmares – her lips were pressed into a tight line. There was a striking feline quality to the way she held her coiled body, a lioness waiting for an opening to spring. Her restless, wild gaze flickered between Edward and me, but never rested on him for more than a half-second. She could not keep her eyes from my face any more than I could keep mine from hers. Tension rolled off of her, nearly visible in the air. I could feel the desire, the all-consuming passion that held her in its grip. Almost as if I could hear her thoughts, too, I knew what she was thinking. She was so close to what she wanted – the focus of her whole existence for more than a year now was just so close. My death. Her plan was as obvious as it was practical. The big blond boy would attack Edward. As soon as Edward was sufficiently distracted, Victoria would finish me. It would be quick – she had no time for games here – but it would be thorough. Something that it would be impossible to recover from. Something that even vampire venom could not repair. She'd have to stop my heart. Perhaps a hand shoved through my chest, crushing it. Something along those lines. My heart beat furiously, loudly, as if to make her target more obvious. An immense distance away, from far across the black forest, a wolf's howl echoed in the still air. With Seth gone, there was no way to interpret the sound. The blond boy looked at Victoria from the corner of his eye, waiting on her command. He was young in more ways than one. I guessed from his brilliant crimson irises that he couldn't have been a vampire for very long. He would be strong, but inept. Edward would know how to fight him. Edward would survive. Victoria jerked her chin toward Edward, wordlessly ordering the boy forward. â€Å"Riley,† Edward said in a soft, pleading voice. The blond boy froze, his red eyes widening. â€Å"She's lying to you, Riley,† Edward told him. â€Å"Listen to me. She's lying to you just like she lied to the others who are dying now in the clearing. You know that she's lied to them, that she had you lie to them, that neither of you were ever going to help them. Is it so hard to believe that she's lied to you, too?† Confusion swept across Riley's face. Edward shifted a few inches to the side, and Riley automatically compensated with an adjustment of his own. â€Å"She doesn't love you, Riley.† Edward's soft voice was compelling, almost hypnotic. â€Å"She never has. She loved someone named James, and you're no more than a tool to her.† When he said James's name, Victoria's lips pulled back in a teeth-baring grimace. Her eyes stayed locked on me. Riley cast a frantic glance in her direction. â€Å"Riley?† Edward said. Riley automatically refocused on Edward. â€Å"She knows that I will kill you, Riley. She wants you to die so that she doesn't have to keep up the pretense anymore. Yes – you've seen that, haven't you? You've read the reluctance in her eyes, suspected a false note in her promises. You were right. She's never wanted you. Every kiss, every touch was a lie.† Edward moved again, moved a few inches toward the boy, a few inches away from me. Victoria's gaze zeroed in on the gap between us. It would take her less than a second to kill me – she only needed the tiniest margin of opportunity. Slower this time, Riley repositioned himself. â€Å"You don't have to die,† Edward promised, his eyes holding the boy's. â€Å"There are other ways to live than the way she's shown you. It's not all lies and blood, Riley. You can walk away right now. You don't have to die for her lies.† Edward slid his feet forward and to the side. There was a foot of space between us now. Riley circled too far, overcompensating this time. Victoria leaned forward onto the balls of her feet. â€Å"Last chance, Riley,† Edward whispered. Riley's face was desperate as he looked to Victoria for answers. â€Å"He's the liar, Riley,† Victoria said, and my mouth fell open in shock at the sound of her voice. â€Å"I told you about their mind tricks. You know I love only you.† Her voice was not the strong, wild, catlike growl I would have put with her face and stance. It was soft, it was high – a babyish, soprano tinkling. The kind of voice that went with blond curls and pink bubble gum. It made no sense coming through her bared, glistening teeth. Riley's jaw tightened, and he squared his shoulders. His eyes emptied – there was no more confusion, no more suspicion. There was no thought at all. He tensed himself to attack. Victoria's body seemed to be trembling, she was so tightly wound. Her fingers were ready claws, waiting for Edward to move just one more inch away from me. The snarl came from none of them. A mammoth tan shape flew through the center of the opening, throwing Riley to the ground. â€Å"No!† Victoria cried, her baby voice shrill with disbelief. A yard and a half in front of me, the huge wolf ripped and tore at the blond vampire beneath him. Something white and hard smacked into the rocks by my feet. I cringed away from it. Victoria did not spare one glance for the boy she'd just pledged her love to. Her eyes were still on me, filled with a disappointment so ferocious that she looked deranged. â€Å"No,† she said again, through her teeth, as Edward started to move toward her, blocking her path to me. Riley was on his feet again, looking misshapen and haggard, but he was able to fling a vicious kick into Seth's shoulder. I heard the bone crunch. Seth backed off and started to circle, limping. Riley had his arms out, ready, though he seemed to be missing part of one hand. . . . Only a few yards away from that fight, Edward and Victoria were dancing. Not quite circling, because Edward was not allowing her to position herself closer to me. She sashayed back, moving from side to side, trying to find a hole in his defense. He shadowed her footwork lithely, stalking her with perfect concentration. He began to move just a fraction of a second before she moved, reading her intentions in her thoughts. Seth lunged at Riley from the side, and something tore with a hideous, grating screech. Another heavy white chunk flew into the forest with a thud. Riley roared in fury, and Seth skipped back – amazingly light on his feet for his size – as Riley took a swipe at him with one mangled hand. Victoria was weaving through the tree trunks at the far end of the little opening now. She was torn, her feet pulling her toward safety while her eyes yearned toward me as if I were a magnet, reeling her in. I could see the burning desire to kill warring with her survival instinct. Edward could see that, too. â€Å"Don't go, Victoria,† he murmured in that same hypnotic tone as before. â€Å"You'll never get another chance like this.† She showed her teeth and hissed at him, but she seemed unable to move farther away from me. â€Å"You can always run later,† Edward purred. â€Å"Plenty of time for that. It's what you do, isn't it? It's why James kept you around. Useful, if you like to play deadly games. A partner with an uncanny instinct for escaping. He shouldn't have left you – he could have used your skills when we caught up to him in Phoenix.† A snarl ripped from between her lips. â€Å"That's all you ever were to him, though. Silly to waste so much energy avenging someone who had less affection for you than a hunter for his mount. You were never more than a convenience to him. I would know.† Edward's lips pulled up on one side as he tapped his temple. With a strangled screech, Victoria darted out of the trees again, feinting to the side. Edward responded, and the dance began again. Just then, Riley's fist caught Seth's flank, and a low yelp coughed out of Seth's throat. Seth backed away, his shoulders twitching as if he were trying to shake off the pain. Please, I wanted to plead with Riley, but I couldn't find the muscles to make my mouth open, to pull the air up from my lungs. Please, he's just a child! Why hadn't Seth run away? Why didn't he run now? Riley was closing the distance between them again, driving Seth toward the cliff face beside me. Victoria was suddenly interested in her partner's fate. I could see her, from the corner of her eyes, judge the distance between Riley and me. Seth snapped at Riley, forcing him back again, and Victoria hissed. Seth wasn't limping anymore. His circling took him within inches of Edward; his tail brushed Edward's back, and Victoria's eyes bulged. â€Å"No, he won't turn on me,† Edward said, answering the question in Victoria's head. He used her distraction to slide closer. â€Å"You provided us with a common enemy. You allied us.† She clenched her teeth, trying to keep her focus on Edward alone. â€Å"Look more closely, Victoria,† he murmured, pulling at the threads of her concentration. â€Å"Is he really so much like the monster James tracked across Siberia?† Her eyes popped wide open, and then began flickering wildly from Edward to Seth to me, around and around. â€Å"Not the same?† she snarled in her little girl's soprano. â€Å"Impossible!† â€Å"Nothing is impossible,† Edward murmured, voice velvet soft as he moved another inch closer to her. â€Å"Except what you want. You'll never touch her.† She shook her head, fast and jerky, fighting his diversions, and tried to duck around him, but he was in place to block her as soon as she'd thought of the plan. Her face contorted in frustration, and then she shifted lower into her crouch, a lioness again, and stalked deliberately forward. Victoria was no inexperienced, instinct-driven newborn. She was lethal. Even I could tell the difference between her and Riley, and I knew that Seth wouldn't have lasted so long if he'd been fighting this vampire. Edward shifted, too, as they closed on each other, and it was lion versus lioness. The dance increased in tempo. It was like Alice and Jasper in the meadow, a blurred spiraling of movement, only this dance was not as perfectly choreographed. Sharp crunches and crackings reverberated off the cliff face whenever someone slipped in their formation. But they were moving too fast for me to see who was making the mistakes. . . . Riley was distracted by the violent ballet, his eyes anxious for his partner. Seth struck, crunching off another small piece of the vampire. Riley bellowed and launched a massive backhanded blow that caught Seth full in his broad chest. Seth's huge body soared ten feet and crashed into the rocky wall over my head with a force that seemed to shake the whole peak. I heard the breath whoosh from his lungs, and I ducked out of the way as he rebounded off the stone and collapsed on the ground a few feet in front of me. A low whimper escaped through Seth's teeth. Sharp fragments of gray stone showered down on my head, scratching my exposed skin. A jagged spike of rock rolled down my right arm and I caught it reflexively. My fingers clenched around the long shard as my own survival instincts kicked in; since there was no chance of flight, my body – not caring how ineffectual the gesture was – prepared for a fight. Adrenaline jolted through my veins. I knew the brace was cutting into my palm. I knew the crack in my knuckle was protesting. I knew it, but I could not feel the pain. Behind Riley, all I could see was the twisting flame of Victoria's hair and a blur of white. The increasingly frequent metallic snaps and tears, the gasps and shocked hissings, made it clear that the dance was turning deadly for someone. But which someone? Riley lurched toward me, his red eyes brilliant with fury. He glared at the limp mountain of sand-colored fur between us, and his hands – mangled, broken hands – curled into talons. His mouth opened, widened, his teeth glistening, as he prepared to rip out Seth's throat. A second kick of adrenaline hit like an electric shock, and everything was suddenly very clear. Both fights were too close. Seth was about to lose his, and I had no idea if Edward was winning or losing. They needed help. A distraction. Something to give them an edge. My hand gripped the stone spike so tightly that a support in the brace snapped. Was I strong enough? Was I brave enough? How hard could I shove the rough stone into my body? Would this buy Seth enough time to get back on his feet? Would he heal fast enough for my sacrifice to do him any good? I raked the point of the shard up my arm, yanking my thick sweater back to expose the skin, and then pressed the sharp tip to the crease at my elbow. I already had a long scar there from my last birthday. That night, my flowing blood had been enough to catch every vampire's attention, to freeze them all in place for an instant. I prayed it would work that way again. I steeled myself and sucked in one deep breath. Victoria was distracted by the sound of my gasp. Her eyes, holding still for one tiny portion of a second, met mine. Fury and curiosity mingled strangely in her expression. I wasn't sure how I heard the low sound with all the other noises echoing off the stone wall and hammering inside my head. My own heartbeat should have been enough to drown it out. But, in the split second that I stared into Victoria's eyes, I thought I heard a familiar, exasperated sigh. In that same short second, the dance broke violently apart. It happened so quickly that it was over before I could follow the sequence of events. I tried to catch up in my head. Victoria had flown out of the blurred formation and smashed into a tall spruce about halfway up the tree. She dropped back to the earth already crouched to spring. Simultaneously, Edward – all but invisible with speed – had twisted backward and caught the unsuspecting Riley by the arm. It had looked like Edward planted his foot against Riley's back, and heaved – The little campsite was filled with Riley's piercing shriek of agony. At the same time, Seth leaped to his feet, cutting off most of my view. But I could still see Victoria. And, though she looked oddly deformed – as if she were unable to straighten up completely – I could see the smile I'd been dreaming of flash across her wild face. She coiled and sprang. Something small and white whistled through the air and collided with her mid-flight. The impact sounded like an explosion, and it threw her against another tree – this one snapped in half. She landed on her feet again, crouched and ready, but Edward was already in place. Relief swelled in my heart when I saw that he stood straight and perfect. Victoria kicked something aside with a flick of her bare foot – the missile that had crippled her attack. It rolled toward me, and I realized what it was. My stomach lurched. The fingers were still twitching; grasping at blades of grass, Riley's arm began to drag itself mindlessly across the ground. Seth was circling Riley again, and now Riley was retreating. He backed away from the advancing werewolf, his face rigid with pain. He raised his one arm defensively. Seth rushed Riley, and the vampire was clearly off-balance. I saw Seth sink his teeth into Riley's shoulder and tear, jumping back again. With an earsplitting metallic screech, Riley lost his other arm. Seth shook his head, flinging the arm into the woods. The broken hissing noise that came through Seth's teeth sounded like snickering. Riley screamed out a tortured plea. â€Å"Victoria!† Victoria did not even flinch to the sound of her name. Her eyes did not flicker once toward her partner. Seth launched himself forward with the force of a wrecking ball. The thrust carried both Seth and Riley into the trees, where the metallic screeching was matched by Riley's screams. Screams that abruptly cut off, while the sounds of rock being ripped to shreds continued. Though she spared Riley no farewell glance, Victoria seemed to realize that she was on her own. She began to back away from Edward, frenzied disappointment blazing in her eyes. She threw me one short, agonized stare of longing, and then she started to retreat faster. â€Å"No,† Edward crooned, his voice seductive. â€Å"Stay just a little longer.† She wheeled and flew toward the refuge of the forest like an arrow from a bow. But Edward was faster – a bullet from a gun. He caught her unprotected back at the edge of the trees and, with one last, simple step, the dance was over. Edward's mouth brushed once across her neck, like a caress. The squealing clamor coming from Seth's efforts covered every other noise, so there was no discernible sound to make the image one of violence. He could have been kissing her. And then the fiery tangle of hair was no longer connected to the rest of her body. The shivering orange waves fell to the ground, and bounced once before rolling toward the trees.

The Moral Compass Of The Force - 934 Words

The moral compass of the Force, exhibited through the conduct and emotions of living entities who were themselves subject to a stimulating, omnipotent fabrication; vigorously compartmentalize two distinct dogmas that, once again, embody a spectrum of behavioral and cognitive norms. The light and dark side of the Force, constituting two ethical nature’s, enact elements of alignment that nurtures a Force-sensitives’ source of power. By means of these catalysts and/or disciplines, one in tune with the Force, is consumed by such instinctive state of minds as a way of going about internal endeavours. The light side of the Force is entangled with the ideals of good. With its philosophical methods being engaged with the shadows of compassion, altruism, knowledge, healing, and benevolence, a practitioner of such state of mind, whom which are referred to in the Star Wars films and animated television programs, as the Jedi, seeks for peace and justice. As this noble periphery of the Force, encourages and fortifies its followers to utilize wisdom and logic as a mechanism of action, they divorce themselves from strong emotions, and, instead, explore enlightenment. By doing so, one loyal to the light side of the force, is fulfilling their ultimate ambition, a life rich in harmony. The dark side of the Force, embroidered in raw emotions, is conceived as the spiritual angle submerged in corruption and annihilation. A Force-sensitive devoted to the teachings of the dark side, availsShow MoreRelatedMoral Compass Essay1178 Words   |  5 PagesMoral Compass Essay Yuebo (Grace) Zhu I. Introduction A moral compass is the moral guide on which a person bases his/her decisions and distinguishes what is right from what is wrong. With our moral compass, we know what rules we should play by. When I was a child, I learnt Chinese traditional wisdom, Confucianism, from my parents and elementary school. 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