Chekhovs Vanka - The Pathos of Vanka Essay -- Vanka Essays

Chekhov's Vanka - The Pathos of Vanka  Ã‚   Immediately following Chekhov's death, the Russian philosopher Shestov (1866-1938) wrote an essay entitled "Creation from the Void," in which he stated, "Chekhov was a singer of hopelessness . . . Chekhov did only one thing: In one way or another he smashed human hopes." Anton Chekhov's "Vanka" accomplishes that quite thoroughly. Vanka, the only active character, believes himself beset on all sides by his bleak world and relies on his own innocence and naivetà © to shield him. The basic premise of the story centers around the boy, including his futile epistolary plea for release to his questionable grandfather, while the author stresses the dangers of the boy's reliance on his innocence. The author's exploitation of Vanka's innocence and naivetà © challenges the sentimentality of Chekhov's "Vanka." Vanka assumes his grandfather, the lively Konstantin Makaritch, will lovingly bear him from his bleak existence upon receiving the letter, but upon closer inspection his grandfather is an unfit and unlikely savior. There are two separate aspects to "Vanka." The boy either concentrates on the drafting of his letter or loses himself in the memory of his grandfather. However, the boy's fond recollections contain evidence of his grandfather's disturbing character traits. In one instance, Vanka recalls his "laughing face and drunken eyes" (47). This fond remembrance alludes to a perpetual state of alcohol-induced befuddlement. His grandfather, a probable drinker, was also probably a womanizer, as Vanka imagines him "pinching first the housemaid, then the cook" (47). Thus, the author establishes the grandfather as unfit to care for Vanka. To discredit the grandfather further, the author uses rel... ...easing the pathos of the story, this final joke acts as a heart-hardener, transforming dejected despondency into caustic hilarity. The degree of exploitation of Vanka's innocence in Chekhov's tale alters the tone of the story. The growing sentimentality for Vanka and his grandfather extinguishes itself, replaced by empty mirth. Though first a tale of mawkish sentimentality, the author utilizes Vanka's naivetà © to debunk the grandfather, then ends "Vanka" with an ironic, twisting joke, similar to that of Maupassant's "The Necklace." Works Cited Chekhov, Anton. "Vanka" Understanding Fiction. 3rd ed. Eds. Cleanth Brooks and Robert Penn Warren, Englewood Cliffs, NJ: Prentice-Hall, 1979. 46-50 de Maupassant, Guy. "The Necklace" Understanding Fiction. 3rd ed. Eds. Cleanth Brooks and Robert Penn Warren, Englewood Cliffs, NJ: Prentice-Hall, 1979. 66-72